Thomas Demand: artificiality, nature and Azzedine Alaïa

Thomas Demand’s exhibition at Sprüth Magers begins before you enter the door. Thanks to the gallery’s vast frontal bay window, the artist’s Pond becomes almost a public work of art, presenting a dose of tranquillity for all who pass by, and a temptation to uncover more. ‘I think we still operate with …

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